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You know the old story: two young people from opposite sides of the tracks meet cute, start spending time together, try on dresses, take psychotropic drugs, have lots of eager sex, make a murder pact. A heartbreaking romance between two musicians – named only Guy and Girl – who meet in Dublin, collaborate on breathtaking songs, and then go their separate ways.
But the songs…they’re so intimate, so pregnant with barely restrained emotion, they are as sexy as anything on this list. Envy is a fundamentally human trait and for Sarah (Rampling), a British author cresting into the autumn of her years, what she envies is the life of her surprise houseguest in the French countryside, Julie (Sagnier), who sifts through one-night stands like a croupier through cards.
Which is why the scene where Jacob (Gosling) takes Hannah (Stone) home, planning on executing a one night stand but falling in love, works so damned well.
This is another film whose shifts in tone – from ‘70s porn fantasia to ‘80s VHS-drug nightmare – keep it from being higher on the list.
If absence makes the heart grow fonder, then Ennis del Mar (Ledger) and Jack Twist (Gyllenhaal) are the fondest guys in the world, since the only place they can be their true selves is on the slopes of Brokeback Mountain.
Even though this adaptation of Tennessee Williams’ play removes the thread of homosexuality that explains why Brick (here played by Newman) wants nothing to do with his wife (Taylor), the film offers the considerable pleasures of watching two of Hollywood’s sexiest stars fence with each other, occasionally while wearing lingerie.
If you think of this as the “Catwoman has all kinds of sex” movie, then you’re in pretty good shape.
If beauty is in the eye of the beholder, then the movies have been beholding it since the very first filmmaker trained a camera on a pretty girl.
Since then, the things audiences find sexy have evolved—along with the limits on how they can be portrayed.